On Friday 28th October, the exhibition ‘Objects Come to Life’ officially opened in the Orchard Learning Resource Centre, Selly Oak. The exhibition of objects from the Eton Myers Collection, on loan to the University of Birmingham from Eton College, was curated by PG curator Stephanie Boonstra, with the participation of students, staff and alumni. The exhibition will be available to view until late Summer 2017 – please contact Stephanie at S.L.Boonstra@bham.ac.uk if you are interested in a viewing (must be arranged in advance).
The physical exhibits are accompanied by a ‘Virtual Exhibition’, which can be found on our website alongside previous exhibitions: http://birminghamegyptology.co.uk/virtual-museum/
Thanks go to all contributors for their work in highlighting this delightful, yet fairly unknown, collection.
What is time? This was the question posed to Birmingham Egyptology members at the start of the Forum session on the 14th October. Steven Gregory presented some of his current research into Dt and nHH time and its relationship to kingship. The presentation and the ensuing discussion were complex and thought-provoking, and at times rather difficult to express in words. Nevertheless, some words offering a brief introduction to the research presented is now available: http://birminghamegyptology.co.uk/forum/last-session/
The Forum report on last week’s session is available now at birminghamegyptology.co.uk/forum/last-session/
The theme was very broad and there was much we could not cover. If you would like to see another session looking at a particular aspect of gender and sexuality in Egypt in more detail, or if you have another idea for a Forum session, please contact us (email@example.com).
‘Beyond Beauty’ is a temporary exhibition at Two Temple Place, London, closing on 24th April 2016, which brings together objects from seven regional collections from the UK. It explores the concept of beauty in ancient Egypt and its importance for both life and death.
To read the review of the exhibition by Eleanor Simmance, please click here (PDF).
A list of events currently scheduled for Spring 2016 is now available. These include three presentations by external and internal researchers and our Third Annual Symposium, so there is much to look forward to.
All are welcome!
A PDF of the schedule can be downloaded here.
Registration for the Third Annual Birmingham Egyptology Symposium, ‘Ancient Egypt: Looking Out, Looking In’ is now open.
This free one-day event on Friday 19th February 2016 at the University of Birmingham will comprise 12 papers and 4 posters. Lunch, refreshments and wine reception will be included.
Space is limited so please email the organisers at firstname.lastname@example.org to book your place soon!
On Friday 19th June, Prof. Katja Goebs presented some of her recent research on Egyptian crowns. The report is now available on the ‘Last Session‘ page of the Forum tab. This thought-provoking Forum showed how interconnected various strands of Egyptian belief could be, but also highlighted similarities in various cultures (ancient and modern) and their languages.
Amongst the more humorous of parts of the session was a short video Prof. Goebs played of ostriches dancing and twirling, a strange behavioural trait often seen in the morning – many such videos can be found on the internet. This was likely observed by ancient Egyptians, perhaps informing some of their beliefs, and, as Prof Goebs pointed out, it is also reminiscent of a segment in Walt Disney’s much more modern Fantasia (1940) with ostrich ballet dancers!
During the session, attendees were shown how we might ‘read’ crowns. In doing so, Prof. Goebs demonstrated the important contribution of each feature of a headdress as more than just decoration, and also emphasised the Egyptian tendency to prioritise the information presented over realism; where these crowns are sometimes too elaborate to have been worn (or even to have been real crowns), they could be represented being worn in art. Through that medium they could serve as sophisticated purveyors of information with various layers of symbolism.
On Monday 9th March I was invited to talk on ancient Egyptian music for the Wirral Ancient Egypt Society (WAES). This group, formed in 2001, began, like Birmingham Egyptology, for like-minded students to come together and share their research. They now hold monthly talks for eleven months of the year as well as various trips and museum visits. Of course, the University of Liverpool, the World Museum and the Garstang Museum have important links to Egyptology and hold significant Egyptological collections, although the Wirral itself has a very different history – WAES is based very close to Port Sunlight, the home of Sunlight soap produced by Lever Brothers, the latter of which formed part of Unilever. I had the pleasure of being shown Port Sunlight and the Lady Lever Art Gallery (which has a small number of Egyptian objects) by the WAES secretary Jacky Finch. Port Sunlight is very reminiscent of Birmingham’s Bournville in its purpose and feel – both were built to house those who worked in the nearby factory and to provide decent living conditions.
One of the Lever brothers, William Hesketh Lever, 1st viscount Leverhulme, built the Lady Lever Art Gallery and was not only a collector of art (mainly British) but also funded two of John Garstang’s Liverpool University excavations in Egypt and thus received some of the finds in return. Therefore, even though there appeared to be very little to link the Wirral to Egypt other than through its proximity to Liverpool, a little more digging reveals a greater connection, and it was a pleasure to learn more about it in my brief visit.
In my talk I covered the evidence for music and suggestions for the ways in which we can start to recreate it, my title ‘Words, gestures, strings and timbres’ providing the basis for these suggestions. Pete Stephens has written up a report which appears in their most recent newsletter. The relevant extract can be found here: WAES newsletter
I would like to thank WAES for inviting me to speak, for their very warm welcome and for the inquisitive audience with all their questions. I also managed to fit in a visit to the World Museum in Liverpool, where there is a small Egyptian harp on display, complete with pegs. The vast majority of ancient harps had fixed pegs onto which the strings were tied, unlike modern stringed instruments whose pegs can be turned to adjust the tension in the strings. Nevertheless, such features serve to underline the similarities between ancient and modern instruments and music, and it is those similarities which can help us attempt to reconstruct ancient music, particularly through ethnomusicological research.
Information about WAES can be found on the website, www.waes.org.uk.
The 16th Current Research in Egyptology conference recently took place in Oxford, from 15th – 18th April, with the theme ‘Travel in Ancient Egypt’. Eleanor Simmance has written a report on this very successful event, including brief summaries of some of the papers, which can be downloaded here: CRE XVI report (PDF will open in a separate window). Thanks go to the organisers and presenters for an enlightening few days.
Birmingham Egyptology even got a mention on two occasions – Gyula Priskin, who discussed Coffin Texts 154-160 as a parallel to the journey of the moon, has published an article on CT 155 in the BE Journal (Vol.1, 2013: http://birminghamegyptology.co.uk/journal/), and Beth Asbury, who gave a history of the Pitt Rivers museum in Oxford and its founder, with particular reference to the Egyptian objects, presented at our first Symposium in 2014 (also published in the Journal: Occasional Publication 1, 2014). Thanks must also go to Beth who introduced a group of delegates to the Museum itself during the following lunch break!
Yesterday, the 1st of April, was the 133rd anniversary of the foundation of the Egypt Exploration Society in 1882, named at the time the Egypt Exploration Fund (EEF), by Amelia Edwards and Reginald Stuart Poole.
Amelia Edwards has recently also enjoyed more public interest with the unveiling of an English Heritage Blue Plaque at her childhood home in London. To celebrate this event, her work and that of other notable figures in Egyptology in the 18th and 19th centuries, the EES put on a walking tour of Camden and Clerkenwell on Saturday 21st March. To read the report of this event by Eleanor Simmance, please click here (PDF document will download in another window).